Roberto Rossellini Movies

Several stories depicting the landscapes and fauna of India are mixed with documentary footage.

Mark Shiel is the author of “Italian Neorealism: Rebuilding the Cinematic City.” In this 2009 video essay, he discusses Roberto...

Documentary exploring why Belgian television doesn't invest more money in Belgian cinema as is the case in e.g. the netherlands.

A documentary about Sicily and its peculiar customs, with an emphasis on religious rites and the clash of modernity versus traditional values.

Documentary that collects interviews with various researchers at the Rice University in Houston, Texas.

A young Italian pilot is interned in a British prison camp after his plane is shot down during the war against Greece. He falls in love with a...

Set in 1881, a year before the start of British colonial rule, it is based on the true story of the Abd el-Rasuls, an Upper-Egyptian clan that had...

Starring Andrée Debar and Orféo Tamburi and based on Colette’s La chatte, this visually compelling short forms the fourth part of...

Rossellini’s biopic of the postwar Christian Democrat leader, Alcide De Gaspari, who was responsible for keeping the Communists out of power in...

Ingrid Bergman and Roberto Rossellini at a gala held in Sweden in 1953.

Italy, March 1980. César travels to the ruins of Pompeii with the extravagant intention of recording psychophonies, supernatural echoes of the...

La Balena di Rossellini origins from one of the most beautiful Roberto Rossellini's dreams, an exemplary project for his autorial path. The film...

An interview with the president of Chile conducted by Roberto Rossellini in 1971, but broadcast only after his death.

Upstream river Ripasottile a shoal of perch fish have born. The news spreads around all animals who live around the river, until also the trouts hear...

A film by Renzo and Roberto Rossellini.

A film about Alfonso, who was the protagonist of the third episode of Paisà (the street urchin who steals the American soldier's shoes). A...

A mermaid emerges from the sea, dances with a faun, and leaves behind a veil for the faun's masturbatory fantasies. Possibly unfinished.

According to Ferrara, Rossellini told him it was a satire in which “Perfidious Albion,” a big turkey representing England, goes around...

An hour with Roberto Rossellini. Interviewed by Gregoretti, the director of Paisà and Europa 51 retraces his life, his work, his relationship...